SÄMTLICHE CLAVIERWERKE, BAND II
DIE BÜCHER VON 1726/27 UND 1741
COMPOSER / AUTHOR: RAMEAU, JEAN-PHILIPPE

DETAILED INSTRUMENTATION: HARPSICHORD, PIANO
VOLUME / SERIES: JEAN-PHILIPPE RAMEAU. PIÈCES DE CLAVECIN. NEUE AUSGABE SÄMTLICHER CLAVIERWERKE
EDITOR: RAMPE, SIEGBERT
PRODUCT FORMAT: PERFORMANCE SCORE(S), ANTHOLOGY, URTEXT EDITION
INCLUDES THE FOLLOWING INDIVIDUAL PARTS: HARPSICHORD, PIANO
PUBLISHER: BÄRENREITER
BINDING: PAPERBACK
PRINT RUN:6. AUFL. 2022

DESCRIPTION:
-THIS IS THE FIRST COMPLETE EDITION OF THE KEYBOARD WORKS OF JEAN-PHILIPPE RAMEAU TO INCORPORATE ALL THE PRINTED COLLECTIONS OF HARPSICHORD MUSIC PUBLISHED UNDER HIS SUPERVISION AS WELL AS HIS CLAVIER ARRANGEMENT OF LES INDES GALANTES .

-IT ALSO INCLUDES MANY NEW INSIGHTS INTO PERFORMANCE PRACTICE (E.G. THE HANDLING OF REPEAT SIGNS IN THE ORIGINAL PRINTS) AND PRESENTS THE MUSIC ENTIRELY IN MODERN CLEFS. THE RESULT IS A RELIABLE AND UNIQUE EDITION FOR TODAY’S PERFORMERS THAT DOES FULL JUSTICE TO RECENT FINDINGS IN HISTORICAL PERFORMANCE PRACTICE.

-FOR THE FIRST TIME, ALL ACCIDENTALS AND EXPRESSION MARKS ARE REPRODUCED EXACTLY AS THEY APPEAR IN THE SOURCES. ALL OF RAMEAU’S WRITTEN COMMENTS – A KEY SOURCE ON PERFORMANCE PRACTICE – ARE REPRODUCED IN THE ORIGINAL FRENCH WITH TRANSLATIONS INTO GERMAN AND ENGLISH.

-ROUNDING OFF THE EDITION ARE INSTRUCTIVE FACSIMILES AND A DETAILED PREFACE IN WHICH THE EDITOR, THE CELEBRATED HARPSICHORDIST AND CONDUCTOR SIEGBERT RAMPE , DISCUSSES THE SOURCES, EDITORIAL METHOD, AND IMPORTANT ASPECTS OF PERFORMANCE.

- COMPLETE SCHOLARLY-CRITICAL URTEXT EDITION IN MODERN CLEFS
- INCLUDES THE LATEST FINDINGS IN PERFORMANCE PRACTICE
- INCLUDES RAMEAU’S WRITTEN COMMENTS AND EXPLANATIONS IN THE ORIGINAL AND IN TRANSLATIONS IN ENGLISH AND GERMAN
- IDEAL FORMAT (24.3 X 31 CM)

CONTENTS:
• PRÉFACE / PREFACE / VORWORT

• COMPOSER / AUTHOR: RAMEAU, JEAN-PHILIPPE
FAC-SIMILÉS - FACSIMILES - FAKSIMILIA

• NOUVELLES SUITES DE PIECES DE CLAVECIN (1726/27):

• REMARQUES SUR LE PIÉCES DE CE LIVRE

• ALLEMANDE

• COURANTE

• SARABANDE

• LES TROIS MAINS

• FANFARINETTE

• LA TRIOMPHANTE

• GAVOTTE: P.[E]R DOUBLE DE LA GAVOTTE / 2.ME DOUNLE / 3.ME DOUBLE / 4.ME DOUBLE / 5.ME DOUBLE / 6.ME DOUBLE

• LES TRICOTETS. RONDEAU

• L`JNDIFFERENTE

• MENUET

• 2.E MENUET

• LA POULE

• LES TRIOLETS

• LES SAUVAGES

• L`ENHARMONIQUE

• L`EGIPTIENNE

• PIECES DE CLAVECIN EN CONCERTS (1741). ADAPTÉES AU CLAVECIN PAR JEAN-PHILIPPE RAMEAU & SIEGBERT RAMPE:

• AVIS AUX CONCERTANS

• AVIS POUR LE CLAVECIN

• AVIS POUR LA VIOLE

• PREMIER CONCERT:

• 'LA COULICAM' RONDEMENT

• 'LA LIVRI' RONDEAU GRATIEUX (VERSION ORIGINALE DE RAMEAU)

• 'LE VÉZINET'. GAIMENT, SANS VÎTESSE

• DEUXIÉME CONCERT:

• 'LA LABORDE'. RONDEMENT

• 'LA BOUCON AIR', GRACIEUX

• 'L`AGACANTE' RONDEMENT (VERSION ORIGINALE DE RAMEAU)

• PREMIER MENUET

• III.E CONCERT:

• 'LA LAPOPLINIERE' RONDEMENT

• 'LA TIMIDE' (VERSION ORIGINALE DE RAMEAU): P.ER RONDEAU GRACIEUX / 2.E RONDEAU

• P.ER TAMBOURIN

• 2.E TAMBOURIN EN RONDEAU

• IV.E CONCERT:

• 'LA PANTOMIME'. LOURE VIVE

• 'L`INDISCRETTE' RONDEAU (VERSION ORIGINALE DE RAMEAU)

• 'LA RAMEAU'

• CINQUIÉME CONCERT:

• 'FUGUE LA FORQUERAY'

• 'LA CUPIS'. RONDEMENT

• 'LA MARAIS'

• ANNEXE - APPENDIX - ANHANG: 'L`INDISCRETTE' (VERSION DE SIEGBERT RAMPE)

• COMPTE RENDU CRITIQUE - CRITICAL COMMENTARY - KRITISCHER BERICHT